Lenses by type
- Sigma 24-70mm f/2,8 II Art
- Vollformat
- Naheinstellgrenze: 17cm (W) - 34cm (T)
- größter Abbildungsmaßstab: 1:2,7 (Ww)
- größter Abbildungsmaßstab: 1:4 (Tele)
- Filtergröße: 82mm
- Innenfokussierung
- Unterstützt DMF und AF+MF
- Zwei AFL-Tasten
- Fokusmodus-Schalter
- hochpräzises, robustes Messing-Bajonett
- Staub- und Spritzwasserschutz
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Switch to fotokoch.deTamron 17-70mm f/2.8 Di III-A VC RXD
Tamron 17-70mm f/2.8 Di III-A VC RXD
- Tamron 17-70mm F/2.8 Di III-A VC RXD (Model B070S)
- innovative zoom lens with high image quality
- VC image stabilization for maximum detail sharpness
- precise and fast autofocus
- universal focal length range and high speed
- splash-proof body
- Front lens with fluorine coating - easy to clean
- compatible with advanced camera features
Tamron 50-400mm f/4.5-6.3 Di III VC VXD
Tamron 50-400mm f/4.5-6.3 Di III VC VXD
- Tamron 50-400mm f/4.5-6.3 Di III VC VXD (A067Z)
- Ultra-Telezoom-Objektiv
- 8-fach-Zoom: von der Standard- bis zur Ultra-Telebrennweite
- konstant hohe Abbildungsleistung über den gesamten Zoombereich
- schneller und präziser VXD-Autofokus
- VC-Bildstabilisierung
- passend für spiegellose Vollformat-Kameras mit Nikon Z-Mount an
- Sigma 18-50mm f/2.8 DC DN Contemporary
- compact APS-C Zoom Lens
- compatible with high-speed autofocus
- Stepper motor
- supports DMF and AF+MF
- Internal focusing
- Super multi-layer coating
- Reflection and ghosting minimizing design
- each lens passes through SIGMA's proprietary MTF measurement system
- seven rounded aperture blades
- Dust and splash-proof
Unfortunately, we cannot offer this article here. However, you are welcome to order it at www.fotokoch.de
Switch to fotokoch.deFree live consultation
Your individual consultation - from the comfort of your sofa
Arrange appointment- Super G Telezoom Lens
- optical stabilization
- Focal length: 200-600mm
- fast, precise and quiet autofocus (Direct Drive SSM)
- circular aperture allows for beautiful bokeh
- Dust and splash resistant design
- Full-frame FE mount
Bundles with Sony SEL 200-600mm f/5.6-6.3 G OSS Sony FE-Mount
Sony SEL 200-600mm f/5.6-6.3 G OSS + Telekonverter SEL-20TC 2.0x Sony FE-Mount
Sony SEL 200-600mm f/5.6-6.3 G OSS + SEL-14TC 1.4x Telekonverter Sony FE-Mount
Sony SEL 50mm f/1.8 Prime Sony FE mount
Sony SEL 50mm f/1.8 Prime Sony FE mount
- Compact, lightweight and handy
- Luminous intensity f/1.8
- Ideal for low light conditions
- Circular aperture with 7 blades for beautiful blur effects
- 75 mm focal length (35 mm equivalent) with APS-C sensor
Sony SEL 16-55mm f/2.8 G Sony E-mount
Sony SEL 16-55mm f/2.8 G Sony E-mount
- Standard zoom lens
- for Sony E APS-C cameras
- very fast (constant aperture of F2.8)
- excellent image quality of the G series
- ideal for professionals and photo enthusiasts
- as "always-on lens" and for landscapes, portraits and spontaneous snapshots
- 16-55mm (equivalent to 24-82.5mm in full frame)
- excellent resolution up to the image edge
- ED (Extra-Low Dispersion) glass elements minimize chromatic aberration and color bleeding
- AR Nano Coating for reduction of reflections and ghost effects
- circular aperture with nine blades for smooth bokeh
- fast and accurate XD (extreme dynamic range) linear motor
- precise and reliable autofocus
- dust and moisture resistant
Canon RF 50mm f/1.8 STM Canon RF
Canon RF 50mm f/1.8 STM Canon RF
- Canon RF 50 mm F1.8 STM
- precise, quiet focusing with STM AF motor
- high speed 1:1.8 for creative play with selective sharpness
- excellent imaging performance due to aspherical lens
- up to 7 stops of image stabilization with the EOS R5/R6's in-body image stabilizer
- excellent closest focusing distance of 30 cm for
- Reproduction scale 1:4
- good value and high performance
Unfortunately, we cannot offer this article here. However, you are welcome to order it at www.fotokoch.de
Switch to fotokoch.deTamron 18-300mm f/3.5-6.3 Di III-A VC VXD
Tamron 18-300mm f/3.5-6.3 Di III-A VC VXD
- Tamron 18-300mm f/3.5-6.3 Di III-A VC VXD
- 16.6x all-in-one zoom lens
- very fast and precise VXD autofocus
- outstanding VC image stabilization
- shortest focusing distance of 0.15 m
- Magnification of 1:2 at 18 mm setting
- compact design and easy to use
- weatherproof construction, fluorine coating, zoom lock
7Artisans 35mm f/1,4 III
7Artisans 35mm f/1,4 III
- 7Artisans 35mm f/1,4 III
- Sensortyp: Vollformat
- kompaktes Design und robustes Alugehäuse
- Allround-Talent für Reise, Street und People
- Fokussierung: manuell
- Naheinstellgrenze: 30cm
- Filtergewinde: 52mm
- passend für Nikon Z
- Super Telezoom Lens
- for Sony E APS-C cameras
- optical image stabilization
- 625 grams light
- excellent image quality of the G series
- ideal for professionals and photo enthusiasts
- for landscapes, wildlife, sports and nature photography
- 5x zoom
- 70-350mm (equivalent to 105-525mm in full frame)
- excellent resolution right to the edge of the frame
- ED (Extra-Low Dispersion) glass elements minimize chromatic aberration and color bleeding
- circular aperture with nine blades for soft bokeh
- fast and accurate XD (extreme dynamic range) linear motor
- precise and reliable autofocus
- dust and moisture resistant
Tamron 70-300mm f/4.5-6.3 Di III RXD
Tamron 70-300mm f/4.5-6.3 Di III RXD
- Small and lightweight telephoto zoom lens A047
- suitable for Sony E-mount mirrorless full-frame cameras
- outstanding image quality
- enchanting bokeh effect
- max. magnification 1: 9.4 (wide angle) - 1: 5.1 (telephoto)
- Autofocus with RXD stepping motor
- fast, high-precision and quiet operation ideal for video recording
- Fluorine coating
- Splash water protection
Tamron 28-200mm f/2.8-5.6 Di III RXD Sony FE mount
Tamron 28-200mm f/2.8-5.6 Di III RXD Sony FE mount
- Travel Zoom Lens
- from a speed of f/2.8
- ideal for everyday and travel
- uncompromising image quality
- outstanding close-up capabilities
- quiet fast hybrid autofocus
- Eye detection AF
- direct manual focus
- integrated lens correction (vignetting, color fringing, distortion)
Tamron 28-75mm f/2,8 Di III VXD G2
Tamron 28-75mm f/2,8 Di III VXD G2
- Tamron AF 28-75mm f/2.8 Di III VXD G2
- fast and silent VXD autofocus for precise focusing
- shortest focusing distance of 18 cm at initial focal length of 28 mm
- creative close-ups with maximum magnification of 1:2.7
- lightweight and compact body with simple operating concept
- Filter size 67 mm
- G Lens standard zoom lens
- Dual AA elements for outstanding resolution
- Sony nano-coating reduces ghosting and light effects
- Direct Drive SSM for quiet, high-precision focus operation
- Dust and splash resistant design
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The item is also in stock in our shop in Düsseldorf.
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The item is currently not in stock and will be ordered for you from the manufacturer or distributor after you have placed an order. The delivery time is usually between 1 week and 2 months. After placing the order, you will be informed regularly about the delivery time.
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The item is currently not available. We were not given a delivery time. Experience shows that the expected delivery time is 1-3 months.
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Order now, pay later (prepayment) Notification when the product is back in stock Product reservation and fixed place on the waiting list Cancellable at any time free of charge (until delivery)Often a decision for life - the choice of the right lens
Photography is always a question of focus. Clearly, it is the lens that changes the focus and makes all the difference. And it's always a question of skill, of personal preferences and strengths. Of course, the question of which lens the photographer chooses is also due to the available camera systems - whether he prefers to work with system cameras (CSC) or with single-lens reflex cameras (SLR). Fixed focal lengths have no zoom, here the eye of the photographer is needed, because he must know which situation requires which settings. For this reason they have a particularly good imaging performance with very low distortion, which results in their superiority over other lenses. Fixed focal lengths are suitable for a whole range of subjects, from landscape photos to portraits. All lenses from Lensbaby, for example, are manually adjustable. In the field of fixed focal length lenses there are new high-performance classics, optimized for digital technology, for example from Leica or the lenses from Meyer-Optik-G?rlitz, which have been revived according to original plans and adapted to digital technology. Zoom- and Megazoom lenses are high-performance lenses with a particularly wide focal length range with fast, virtually noiseless autofocus suitable for wide-angle or telephoto tasks. Here Nikon surprises with the world's first ultra-wide-angle lens with image stabilizer, which ensures strong images even in low light. Horizons that bend, and pillars that tip forward for no reason ? every photographer knows these difficulties. To photograph distortion-free is a special challenge with landscapes as with architecture Wide-angle lenses are among the fixed focal length, macro, zoom or fisheye, among them a particularly strong distortion-free lens of Canon. While the zooms and megazooms also cover the telephoto range, pure Telephoto lenses are suitable both as fixed focal lengths and as zooms - especially for wildlife and nature photography. At the top end of the range, lenses from Hasselblad and Leica are worthy of any digital post-processing due to their outstanding quality. Olympus currently has developed the lightest and most compact telephoto (Micro FourThirds mount) lens, while Sigma is the world's first lens with a maximum aperture of 2.8 at a focal length of 500 millimeters. Close to the subject ? small becomes huge ? that is the specific feature of the Macros and its versatile field of use. For this special small world, most lens manufacturers carry lenses, like Canon, Nikon, Sony, Leica or Pentax as well as Tamron, Sigma or Samyang. Fish-eye lenses are being covered by D?rr, Samyang, Pentax, Panasonic, Olympus, Nikon, Sony or Walimex. With fisheye photography, creative results can be achieved and surprising effects can be produced, such as mountains that bend and walls that bow outwards. Tilt-and-shift lenses, these are made by Canon, Nikon, Laowa, Leica, Samyang or Walimex, for example, and help the photographer to correct the perspective of the image, i.e. to compensate for particular distortions, such as falling lines in architecture. "Tilt" means pivoting (of the lens system in relation to the image plane). "Shift", on the other hand, means shifting (for example, the focus area can be shifted while maintaining the same exposure time).